The Del McCoury Band


Venue: Meymandi Concert Hall

Date/Time: Thursday, April 04, 2013 | 8:00 PM

General Public: $35, $30, $25
Members: $30, $25, $20

Call 919-664-8302 now and save processing fees or use the button to order tickets online!
The Del McCoury Band

The Del McCoury Band is one of the most talented, revered and vital groups in the modern bluegrass era. In 2009, Del McCoury celebrated 50 years as a professional musician. One of the greatest ambassadors for traditional bluegrass, Del has been no less acclaimed for embracing offshoots of the genre, embodying both aspects of his career through his annual Delfest music festival, where tradition is both honored and extended by the presentation of a wide array of bluegrass and string music performances. Over the past two decades, he and his band have become the most awarded act in the history of bluegrass, allowing them the opportunity to broaden their audience through appearances on late night television shows like David Letterman’s and Conan O’Brien’s, and at venues ranging from Carnegie Hall and the Kennedy Center to popular festivals like Bonnaroo and the Newport Folk Festival. PineCone is delighted to have The Del McCoury Band back in Raleigh for a night of world-class bluegrass.

“Here’s a guy who has been playing for fifty years, and he’s still experimenting-still looking to do things outside the box, to bring other kinds of music into bluegrass form,” says Americana music icon Richard Thompson, who saw his “1952 Vincent Black Lightning” turned into a bluegrass standard when McCoury brought it into the fold. “I think that’s the best bluegrass band, period. That’s it.”

McCoury’s most recent project was a tribute to the father of bluegrass himself, Bill Monroe. Released in September 2011, marking the 100th anniversary of Monroe’s birth, Old Memories: The Songs Of Bill Monroe was the result of a decision that was as spontaneous as it was inevitable, because for Del McCoury, Bill Monroe’s legacy isn’t just a matter of history, but something that’s as immediate and personal as the guitar he picks up every time he gets ready to play.
 
McCoury got his first taste of the limelight when he joined Monroe’s Blue Grass Boys in early 1963; the Father of Bluegrass moved McCoury from the banjo to guitar, made him his lead singer, and gave him a lifetime’s worth of bluegrass tutelage direct from the source in the course of little more than a year. But rather than parlay his gig with the master into a full-time career of his own, McCoury returned to Pennsylvania in the mid-60s to provide steady support for his new and growing family.
 
McCoury settled into work in the logging industry while keeping one foot in the music world, forming his own band, the Dixie Pals, which he led for 15 years as a part-time career built mostly around weekend appearances at bluegrass festivals and recordings for labels ranging from the short-lived and obscure to roots music institutions like Arhoolie and Rounder Records. During that time, McCoury began to build a songbook filled with classics remade in his own image and a growing number of originals that would become an important part of his legacy in years to come.
 
The first big sign of change came in 1981, when McCoury’s 14-year-old son, Ronnie, joined the Dixie Pals on mandolin. Banjo playing younger brother Rob came on board five years later, and by the end of the decade, the three McCourys were ready to make a move. “We came to Nashville in 1992,” Ron recalls, “and it was dad’s idea. He’d been watching bluegrass on TNN—Bill Monroe, the Osborne Brothers, Jim & Jesse—and thought that it was the place to be, that we’d have a new outlet there, where we could get some more attention. And without a doubt, moving to Nashville and just going for it turned out to be really big.”
 
Armed with a new Rounder Records association and a newly named Del McCoury Band that soon included not only his sons but a complete cast of youngsters, Del McCoury’s career soared. Del himself got the ball rolling early in the decade with three consecutive Male Vocalist of the Year awards from the prestigious International Bluegrass Music Association (IBMA), and in 1994 the quintet began an astonishing streak of top Entertainer of the Year honors that would net them nine trophies in an 11-year stretch, along with ongoing honors for Ronnie (eight straight Mandolin Player of the Year awards), fiddler Jason Carter (three Fiddle Player of the Year trophies), and a wide array of projects featuring Del and the ensemble.
 
But though the ’90s propelled the Del McCoury Band to the top of the bluegrass world, they also led to the emergence of the group onto the larger musical scene as a unique torchbearer for the entire sweep of bluegrass and its history. 
 
The unmistakable authenticity of McCoury’s music—along with his good-natured willingness to keep alert for new sounds and new opportunities—had bred fans in some unlikely places.
 
That bluegrass-bred stars like Vince Gill and Alison Krauss (who first met Del at a bluegrass festival when she filled in for a missing fiddler of his) would sing his praises wasn’t surprising, but who would have expected country-rock icons like Steve Earle or jam bands like the supremely popular Phish to have joined in the chorus? 
“Jon Fishman, the drummer for Phish, told me that they did an article on him for a drum magazine,” Del says. “They asked him what were some of his early influences, and he told them that one of them was Don’t Stop the Music, a record I put out back at the beginning of the ’90s.”
 
By the second half of the ’90s, the acclaim—and Del’s open-mindedness—put the McCourys in onstage jams with Phish and on the road and in the studio with Earle, bringing the Del McCoury Band’s fierce musicianship and its leader’s instantaneous, easygoing connection with listeners to new arenas. The group appeared on prime time television and began an ongoing series of visits to popular late night TV talk shows, toured rock clubs and college campuses, and found itself welcome at country and even jazz-oriented music festivals and venues.
 
Ronnie McCoury tells a story from a recent appearance that underlines just how broad an appeal the band’s music has these days. “You know, we’ve really been getting outside of the bluegrass box,” he says with a laugh. “I mean, dad’s voice is what you’d call traditional, but he’s open-minded, too. And so it seems like in the last few years, especially, he’s become more than bluegrass-he’s being recognized as just a great singer, period. So that’s really been bridging the gap between bluegrass and other kinds of music and musicians. Last year we played at the Austin City Limits festival, and the limo driver who picked us up said he’d just taken [platinum-selling international pop star] Bjork out to the festival-and she was telling him that she wanted to see us. It’s just unbelievable.”
 
Yet even as they reach out to almost unimaginable audiences, Del’s music retains its signature characteristics. “What I most admire about someone like Del,” says Gill, “is that he’s one of the last patriarchs that really played the music in its authentic way. And even though he’s willing to bend a little bit, to be out there playing at jam band festivals and things like that, it doesn’t sound like what the new people do with bluegrass. He’s done a great job of bringing new songs into the fold, but when he sings them they sound like 1959 or 1962 again. It still has the element of his voice, and the authenticity of it never goes away, never changes. And even after doing it for fifty years, he’s at the top of everybody’s list of what’s going on today with bluegrass.”
 
The fifth decade of that half-century of music making has been filled with new and ongoing triumphs. The Del McCoury Band has shown unprecedented stability, with but a single change in membership in 15 years; their namesake earned membership in the cast of the legendary Grand Ole Opry in 2003, and the band earned their first Best Bluegrass Album Grammy award two years later; they traveled with the groundbreaking post-O Brother “Down From The Mountain” tour, performed and recorded (on his Grammy-winning These Days) with Gill and with country star Dierks Bentley; they’ve made multiple appearances at the spectacular Bonnaroo Music Festival, and launched an impressively popular annual New Year’s Eve show at the Ryman Auditorium, where Del first appeared on the Opry with Bill Monroe some 46 years ago. 
 
Perhaps most importantly, McCoury took an almost unprecedented step in 2003 when he took control of his own music by creating the McCoury Music label, home to that Grammy-winning album along with a select set of releases by the Del McCoury Band, country icon Merle Haggard, and more.
 
“Del epitomizes the bluegrass musician from the previous era, and also this one,” says acclaimed resonator guitarist Jerry Douglas, a member of Alison Krauss + Union Station and producer of several of McCoury’s ’90s albums. “You can finally make a living playing bluegrass, and a large part of it is because of Del McCoury; he became like the new Bill Monroe. For him to have come along this far is testament to his will to stick it out, but at the same time, when he saw that he was going to be able to do it, he started really, really enjoying it, and that’s when he started making the best music of his career.”
 
Please join us in welcoming the Del McCoury Band back to Raleigh and the PineCone stage to close out this year’s Down Home Concerts!
 

About the rest of the band:

Ronnie McCoury, Mandolin

Ronnie McCoury was born in York County, Pennsylvania on March 16, 1967. It was in York County that he made his home for the first 24 years of his life. In January of 1992, Ronnie and his wife Allison made the move to Nashville, TN, where they have resided since that time. Growing up in a house where bluegrass music was played, and always listened to, Ron had the exposure from a very young age. Many pickin’ parties were held at the house, along with rehearsals that his dad would have with his band then, The Dixie Pals.

Like lots of other young boys, sports interested Ronnie very much, particularly baseball and basketball. One thing he clearly remembers is the fact that his dad never pushed him to play music or never “pushed it on him” at all, leaving both Ron and Rob to choose their paths on their own. At the age of 9 he started taking violin lessons. He took the lessons for two years and gave it up for sports. He played sports all the way through high school. But when he was just 13, after attending a show with his dad where he saw Bill Monroe perform, he decided that he wanted to play the mandolin. He practiced on it for six months and when his dad had an opening in the band for mandolin player, he asked Ron to fill it. That was on May 28, 1981 and Ronnie has been playing with his dad ever since.

In 1995, Ronnie and Rob teamed up and put out a self-titled CD on Rounder Records. In 1998, Ronnie teamed up with David Grisman and some other great mandolin players to create the CD titled Mandolin Extravaganza, which made its appearance on the Acoustic Disc label in 1999. This CD was nominated for a Grammy Award and also won Instrumental Album of the Year and Recorded Event of the Year at the IBMA awards show in October of 2000. In 1999, Ronnie co-produced The Mountain, with Steve Earle and The Del McCoury Band. 2000 also brought along with it Ronnie’s first solo project…Heartbreak Town.

Ronnie is married to Allison Bliss from Massachusetts and they have three children, Evan, Joshua, and Emma. Someone once asked Ronnie what his greatest accomplishments were, musically or non and his first response was “Starting my own family.” Next in line was receiving the Grammy for “The Company We Keep.” Family life is very important to the McCourys. Having children inspired Ronnie to put out his next project, Little ‘Mo McCoury, a CD full of children’s songs done bluegrass style.

Along with his award winning mandolin playing, Ronnie is also a singer/songwriter and producer. He has recorded or performed with such diverse acts as Bill Monroe, Earl Scruggs, Phish, Charlie Daniels, John Hartford, Vince Gill, Loretta Lynn, Alison Krauss, David Grisman, Dierks Bentley, Garth Brooks, the Allman Brothers, John Paul Jones and countless others!

When Ronnie isn’t on stage with the Del McCoury Band or The Travelin’ McCoury’s, singing and playing mandolin, you will probably find him at home with his family. He enjoys cooking, gardening and reading. He loves to play golf, remodel, and do construction work. He also enjoys picking up the guitar or maybe even the fiddle for a little musical change.

Rob McCoury, Banjo

Rob was born April 30, 1971 in York, PA as Robin Floyd McCoury. His earliest memories are of music, especially since it was everywhere around the house. There were picking parties, rehearsals, and festivals. Rob went to his first bluegrass festival at Ontalanee Park in Allentown, PA when he was six weeks old.

Rob “caught the pickin’ bug” when he was just eight years old, after seeing the Osborne Brothers at Sunset Park in West Grove, PA. He then realized how fortunate he was to have a great teacher in the house. Although he feels at times he was trying on his dad’s patience, he remembers that his dad would always take the time to show him the right way to pick, never forcing the music on him. Rob recalls “picking first thing in the morning and the last thing I did at night,” and it was what he wanted to do.

In June of 1986, Del had a festival to play in Bath, NY and he needed a bass player. At that time Rob knew almost nothing about playing a bass fiddle. He knew the chords on the bass but had never played before in a band situation. Although he was scared to death, he played bass with his dad that day and ended up being the bass player in the band for about a year, until the banjo position became available.

Rob’s first show as a banjo player was a benefit show for Olla Belle Reed, a great singer/songwriter who penned one of Del’s most requested songs, “High on the Mountain,” along with many others. The show was in the spring of 1987 in Wilmington, DE, and Rob has been with the band ever since.

In May of 1992, the McCoury family moved to Nashville. Rob is convinced the move was the best one they could have made. He is very appreciative of his life and the experiences he has had. In his own words, “It’s been a wonderful adventure that keeps getting better and better. I couldn’t imagine what my life would be like without music. I have gotten to see many parts of the world and meet lots of great people. I’ve made many great friends, but most of all I met my best friend, my wife Lisa, who supports me every step of the way.”

Rob is presently working with his dad as well as the Travelin’ McCoury’s featuring his fellow band mates Ronnie McCoury, Jason Carter, and Alan Bartram. Rob also has two children, a daughter Monroe Kennedy McCoury, age 6, and a son and grandpa’s namesake, Del Mercer Davis McCoury, age 2.

Alan Bartram, Bass

Alan Bartram is a bassist, vocalist, and closet guitarist. His mother taught him to sing and he learned to play the bass by listening to and watching other bassists. If he wasn’t a full-time musician, he would be a horticulturist. But, after graduating from college, he decided on a career in music and moved from Pennsylvania to Nashville. While playing with The Kenny and Amanda Smith Band, he also became an in-demand freelance musician both for touring and recording. Since 2005, Bartram has been the bassist for the Del McCoury band and is now also a member of The Travelin’ McCourys.

Jason Carter, Fiddle

Jason Carter was born February 1, 1973 in Ashland, Kentucky. He grew up in Greenup County. His dad started teaching him guitar when he was eight years old, and a few years later he started on mandolin. It was all he wanted to do.

Through his high school years, Carter was able to attend several bluegrass festivals, courtesy of his dad and uncle. He kept on trying to learn those Tony Rice guitar breaks, which were much more interesting then his biology homework! When he was 16 years old, he heard Del McCoury for the first time…and that’s when he picked up the fiddle.

The summer of 1991 brought a close to his high school years, and it was also the year he landed his first professional job. He worked six months for The Goins Brothers playing fiddle and traveling mostly on the East Coast. In February of 1992 The Goins Brothers played in Nashville with Del McCoury, and Carter asked him for a job. Two weeks later he was back in Nashville trying out. They played in Nashville, West Memphis, and Garland, TX and when they got home they told him that he had the job. He’s been with the band ever since.

Since then, Carter has relocated to Nashville and it’s been more than a dream come true for him. He feels very fortunate to be able to play with some of his musical heros and to travel the world playing bluegrass music.

Carter's interests besides his music include sports of any kind, gardening, and spending time at home with his wife. When asked what the best thing about being in The Del McCoury Band was he replied, “It’s hard to list only one thing. Of course the music, the friendships, playing in Europe and on the Grand Ole Opry, Jean’s cookin’!! But most of all standing on stage, watching Del sing and play his guitar.”


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Del McCoury Behind the Scenes recording Old Memories: The Songs of Bill Monroe

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